Girl with a Mirror拿着镜子的女孩
Concept
A girl in an old apartment, dressed in a transparent nightgown, enjoys her reflection in a small mirror. The goal is to show the beauty and fragility of a subtle girl's body through the transparent fabric.
Inspiration
A girl looking in the mirror is one of the most prevalent themes in art, and I wanted to express my interpretation of this concept. An old Soviet apartment was chosen as the location for this photoshoot.
Choice of color
Like in most of my photos, I'd like to show the 1970s and 1980s. The room is quite dark, with only one window providing light. Brown and yellow are the most common colors in the location, and I decided to focus on shades of red. Also, to avoid monochrome and boringness, make the photo's light areas (window, fabric, mirror, etc.) a different color, such as blue or greenish.
Wardrobe
I wanted to show the girl's thin, perfect figure, not completely naked. I bought a long, lightweight dress with transparent outer fabric and an opaque lining for these purposes. Later, the lining was removed to create an airy, fully transparent dress/nightgown.
Background
To the girl’s left and behind her are parts of an old apartment, a table with a lace tablecloth, a bookcase, a vintage table lamp, etc. A lace curtain also hangs on the window, enhancing the retro atmosphere. I chose a location with a window behind the model to show the contour of the girls' lines against the light background. Thanks to the light and dark areas of the photo make it even thinner and more graceful.
Hair and make-up
The make-up is light and natural. The face is visible only in the profile, and the make-up is almost absent.
Light
Backlight from a window reflector illumination. As a result, the girl appears as a dark outline, but her body lines and breast are visible. In this case, it's the best outcome. If you use additional lightings, such as a lamp or flash, the girl will be too lit, simplifying the photo.
Posing
I wanted to highlight the model's subtle and graceful figure. To achieve this effect, I turned the model sideways, her hips were in contact with the table, and she was slightly turned towards the camera. In this pose, all beauty is visible in the frame. Because the model has beautiful lines, the face is shot in profile. The posture was natural and relaxed. She held a mirror with one hand and leaned on the table with the other; simultaneously, the model looked at her reflection. In this pose, both hands are visible, and the body is beautiful and graceful.
Camera and optics
Nikon D750 Sigma 35 1.4 Art. 1/100, f1.8, ISO 320
Depth of field
In case the background objects are close enough to the model, I chose an aperture of 1.8 to create a slight blur, directing the viewer's attention to the model. If the background is too sharp, the books will stand out too much, and the background will simply "ripple." If you open the diaphragm fully, by 1.4, the books in the closet will be too blurry, and many exciting details will be lost. Moreover, at a fully open aperture, there is a high likelihood of visible chromatic aberrations in areas where light from a window and dark interior details such as a table lamp combined.
Angle
The angle (shooting point) is essential in this photo and was chosen through experimentation. One of the photo's "highlights" is the girl's hips, and it was important to show them while maintaining the overall composition and perspective. If you move the camera to the left, the girl's face will come in contact with the picture on the wall, and her profile will not be seen. If you move to the right, there will be too many windows in the frame, but the bookcase will be hidden, and the stunning element of the interior will disappear from the frame. Whether you lower the camera, only one hip is visible, which makes the photo more primitive. So, you can raise the camera a little higher.
Cropping
It is done around the model to include the girl and a part of the interior. The model's legs below the dress were not shown in the frame because they would have revealed too much of her figure. It was possible to capture more space around the girl, but it was unnecessary. If cropping is too close to the model, there won't be enough space on the sides.
Expression
The photo is very calm and harmonious. A lovely young nymph enjoys looking in the mirror, and she knows how beautiful she is. This emotion I wanted to see in the photo.
Post-processing
Processing is done in warm colors, with a "film" effect. No bright or high contrast areas. I removed excessive sharpness and added a slight "soft" effect.
概念
旧公寓里,一个穿着透明睡衣的女孩正在小镜子里欣赏自己的倒影。目标是通过透明的面料展现出微妙女孩身体的美丽和脆弱。
灵感
照镜子的女孩是艺术中最流行的主题之一,我想表达我对这个概念的解释。这座古老的苏联公寓被选为这张照片的拍摄地点。
颜色选择
就像我的大多数照片一样,我想展示 20 世纪 70 年代和 1980 年代。房间里很暗,只有一扇窗户提供光线。棕色和黄色是该地点最常见的颜色,我决定重点关注红色色调。另外,为了避免单色和无聊,请将照片的明亮区域(窗户、织物、镜子等)设置为不同的颜色,例如蓝色或绿色。
衣柜
我想展现女孩纤细、完美的身材,而不是完全赤裸。为此,我买了一件长而轻的连衣裙,外层面料透明,衬里不透明。后来,衬里被移除,打造出通风、完全透明的连衣裙/睡衣。
背景
女孩的左边和身后是旧公寓的一部分,一张铺着蕾丝桌布的桌子、一个书柜、一盏复古台灯等,窗户上还挂着蕾丝窗帘,增添了复古的气氛。我选择了模特后面有窗户的位置,在浅色背景下展示女孩的线条轮廓。由于照片的明暗区域使其更加纤薄、更加优雅。
头发和化妆
妆容轻盈自然。脸部仅在侧面可见,几乎没有化妆。
光
来自窗户反射器照明的背光。结果,女孩的轮廓看起来很暗,但她的身体线条和乳房清晰可见。在这种情况下,这已经是最好的结果了。如果您使用额外的灯光,例如台灯或闪光灯,女孩会太亮,从而简化照片。
摆姿势
我想突出模特微妙而优雅的身材。为了达到这种效果,我将模特侧向,她的臀部与桌子接触,并且她稍微转向镜头。在这个姿势中,所有的美丽都在画面中可见。由于模特的线条优美,因此拍摄脸部侧面。姿势自然、放松。她一手拿着镜子,另一只手靠在桌子上;与此同时,模特看着自己的倒影。此姿势可见双手,身材优美优美。
相机和光学器件
尼康 D750 Sigma 35 1.4 货号1/100、f1.8、ISO 320
景深
如果背景物体距离模特足够近,我选择 1.8 的光圈来产生轻微的模糊效果,将观看者的注意力引导到模特身上。如果背景太锐利,书籍就会过于突出,背景就会出现“波纹”。如果完全打开光圈,到了1.4,衣柜里的书就会太模糊,很多令人兴奋的细节都会丢失。此外,在光圈完全打开的情况下,窗户光线与台灯等黑暗内部细节相结合的区域很可能出现可见色差。
角度
角度(拍摄点)在这张照片中至关重要,是通过实验选择的。照片的“亮点”之一是女孩的臀部,在保持整体构图和视角的同时展示它们很重要。如果将相机向左移动,女孩的脸会与墙上的照片接触,并且看不到她的侧面。如果向右移动,框架中会有太多窗户,但书柜将被隐藏,内部令人惊叹的元素将从框架中消失。无论你降低相机的高度,都只能看到一侧臀部,这使得照片更加原始。所以,你可以把相机举高一点。
裁剪
它是围绕模型完成的,包括女孩和内部的一部分。模特裙子下方的腿没有出现在画面中,因为这样会暴露太多她的身材。捕捉到女孩周围更多的空间是可能的,但没有必要。如果裁剪距离模型太近,则侧面将没有足够的空间。
表达
照片非常平静、和谐。一个可爱的年轻仙女喜欢照镜子,她知道自己有多美丽。我想在照片中看到这种情感。
后期处理
处理以暖色进行,具有“胶片”效果。没有明亮或高对比度区域。我删除了过多的锐度并添加了轻微的“柔和”效果。
信息
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